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This weeks #TuneTuesday comes from one of my favourite games, one that I only discovered last year. It is the Chinatown Theme from Vampire: The Masquerade - Bloodlines, composed by Rik Schaffer. I have talked about VtMB before, in addition to the tabletop RPG, it comes from. So much so, I made a conscious effort not to mention it at all, because I know I can (and have) gone into large massive tangents about its expansive lore and metaplot that barely anyone who follows me on social media is interested in. That being said, one has to provide some context for the process of this post. Set in modern-day/night LA, you are some random schmuck who gets laid in your apartment by a vampire, who can be one of 7 different clans/breed of vampire, depending on the sort you wish to play as. Members of the Camarilla, which is sort of the vampire government, comes in, stakes you both (resulting in paralysis, not death in VtM lore) and take you both to court. The Prince, the ruler of LA’s Santa Monica, decides to have your sire killed, before sending you on a suicide mission to prove yourself in Kindred (the VtM word for vampire, along with Cainite) society. The game has you traverse between 4 uniquely hub worlds, Santa Monica, Downtown, Hollywood, and of course, Chinatown, which is one of my favourite hub worlds and cues in the game. Chinatown is the last hub world you can explore too, which is both the most disappointing and interesting. VtMB went through what many call ‘a development cycle from hell’ and was released unfinished, due to legal reasons with the publisher. This is evident in many of the games’ glitches bugs and exploits, and a lot of the quests in the game’s latter half. Chinatown as a hub world feels considerably rushed when compared to the other three. Whilst this is interesting in of itself, the context of its existence and the current politics is especially interesting to me. The developers of the game, the now-defunct Troika Games, did a fantastic job at explaining and including the lore found within White Wolf Publishing (the original creators and publishers of the VtM tabletop RPG) World of Darkness universe. By the time you reach Chinatown, you should have a good enough grasp about how vampires in this game works, how they feed, behave, and the politics that runs rampant throughout their lives. The game introduces a curveball at Chinatown with the inclusion of the Kuei-Jin, which are described as ‘Kindred of The East’, vampires from China. You speak to one, to find there is about more to them that, as they do not feed on blood, but the soul. They don’t turn to ash in sunlight but just rot, which is certainly a unique twist on vampre legend of old. I go into detail about the game’s setting because the music does a fantastic job at creating the musical impression that you are in a strange place. The other three hubs share a similar sound, which is a Westernised chilled rock or/and lounge jazz sound. Chintatown Theme is not strictly Asian in its sound, but it is not the same sound as the other three. This F minor vamp is mysteriously ominous. You were protected by the Camarilla and the Anarch in the other three hubs. The Kuei-Jin has nothing to do with the rest of vampire society, and you have to be your best behaviour, as the Kuei-Jin and Kindred do not get on. At all.
This week's #TuneTuesday is from #VampireTheMasqueradeBloodlines, that PC game I keep coming back to. The cue is Downtown Theme composed by Ric Schaffer. In case you're not aware, Bloodlines is based off World of Darkness' LARP (live-action roleplaying (game)) 'Vampire: The Masquerade' and has you play as one of 7 vampiric clans, each with their own quirks and powers (note: VtM has 13 clans...for the most part). Once you are embraced in Bloodlines, you are pretty much a puppet to a Sebastian LaCroix, who is the leader of a vampiric group called the Camarilla, who are enemies with a slightly freer group, the Anarchs. I could go on more about the story, but I do not want to spoil more than I already have done. I may have made the rivalry sound very simplistic and uninteresting, but that is not the case at all. VtM (and by extension, VtMB) is, and always has been, a game of politics, as these two factions (and the more primal Sabbat), have their own beliefs and systems as to why they are the better than the others and why their way is the best way. To be very crude, the Camarilla is basically 'fuck you, peasants, bow down and kiss the knee', the Anarchs is 'fuck da police' and the Sabbat is 'fuck everyone'. So where does this cue play into this? VtMB has you, the player, explore 4 different hub zones in a really small version of LA; Santa Monica, Chinatown, Hollywood and Downtown, each one with their own theme that plays on a loop as you explore each hub. Whilst VtMB does have its own theme, which is basically a rip off of 'Angel' by Massive Attack, I think Downtown Theme reflects the gritty politics found in the game (the Camarilla and Anarchs have a strong footing here) much more. It's dark brooding F minor riff is the darker reality of a modern vampire stalking the streets on modern bystanders, not some Count Dracula 'I hath come to suck'th the blood', luring innocents into their lair. And with almost every American able to carry around guns easily, no Kindred is safe...