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  1. Carrying on with the paints-shitting terrifying music, this weeks Spooktober #TuneTuesday is Peak Level from 'Chaos;Child', composed by Takeshi Abo. I did cover this game in a recent(ish) #TuneTuesday thread, but to give a brief summary, Chaos;Child is the fourth main entry in the Science Adventure series (the same series the famous 'Steins;Gate' comes from) and a thematic sequel to Chaos;Head. As such, the plot is incredibly involved and rather confusing at times. In it, you take the role of Takuru Miyashiro, the president of his school's newspaper club, who investigates the "Return of The New Generation Madness" serial murder case that has been taking place in Shibuya. During the course of the game, he experiences delusions where the player gets the option to choose if Takuru should experience a positive or negative delusion or neither. These choices affect the plot's direction, causing it to branch off from the main narrative into different routes. That is, once you've played the game through for the first time, as you only have access to the common route (the canon route if you would). Chaos;Child is a murder mystery thriller, so death is commonplace within the narrative. Various members of the cast are thrown into mortal danger constantly. This is when today's cue enters. When 'Peak Level' is heard in the game, it is usually in direct conjunction with murders related to the Return of The New Generation Madness. In other words, it is played when someone is being murdered, usually horrifically and slowly. Chaos;Child doesn't fuck about either, as it does not shy away from any of the horrific imagery of someone chopping up their own arm and eating their own fingers, to use the very first thing you see in the game. And being a visual novel, the sound design and descriptions is just so much more immersive than your typical game, for a lot of the work is done by you. These are genuinely terrifying moments to sit through. In the early sections of the game, it is other people who are killed when this cue plays, but when the cue plays when you and/or your school buddies are around, that is when the fear goes from 0-to-10 really fucking fast as you are forced to watch your near defenceless protagonist and friends flee from whatever is attempting to tear them apart (literally in one case!). On its own, without any context, 'Peak Level' sounds like a broken Trance/Dubstep with some weird tribal vocals going on. But when 'Peak Level' is played in-game, it makes Chaos;Child one of the most frightening narratives to experience. There are 2 instances where this cue is it's most frightening, which is the end of Chapter 6 and 8. I won't tell you why so you'll have to experience Chaos;Child to find out.
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