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This weeks #TuneTuesday comes from the recent(ish) remake of one of my favourite games. It is the Acid Jazz remix of YO from Catherine Fullbody, composed by Shoji Meguro, with rap and sung melody by L-VOKAL & Meitsuki respectively. For a quick summary, you play as the hopeless Vincent Brookes, who is pressured into marriage by his long-time girlfriend, Katherine, who is portrayed as strong, stern and remarkably cold at times. Vincent, after one drink too many at The Stray Sheep, he finds himself momentarily intoxicated by alcohol and Catherine, who is best described as the opposite of Katherine; young(er), childish, busty and remarkably blonde, resulting Vincent taking her back home with him. Thus begins a tragically hilarious love triangle, as the game presents to you the idea of you being able to choose your waifu, Catherine, or Katherine as you respond to text messages from both of them at night as you wander around the bar, talking to the other punters (or patrons, to you Yanks out there) and choosing how to respond to them as well, which affects a morality meter unlike any other. I am usually opposed to such methods in games, as you either have to be a cunt or saint to reap the maximum benefits. But without saying too much and ruining the ending, this plays slightly differently in Catherine. And to further complicate Vincent's love life (and the number of waifus to choose from), Fullbody adds another girl, Qatherine, (or, Rin) who Vincent runs into (literally), saving her from some stalker, giving her a place to sleep, and a job at The Stray Sheep, playing the piano. What I have just described is one portion of the narrative, which is the beloved social aspect of many of ATLUS' games. The game proper is a weirdly difficult puzzle game, where Vincent and the souls of other indecisive men (who all appear as sheep to each other) must climb various towers, by pushing blocks about, forming their own climbable paths. On a related note, Catherine (and Fullbody) doesn't shy away from its mature content. That's not to say there is anything pornographic, but do prepare something to say if a member of your family walks to find a naked Catherine straddling Vincent. As for the tune itself, it is a remix of the original theme, titled YO. Unlike that one, it is not a slightly expanded Acid Jazz remix a semitone lower (Bm-Bbm), with a new sung verse, sexy sax, seductive flute and a proper phat bass line. I won't lie, but this is an incredibly sexy arrangement, one that has matured nicely, like an old wine. It immediately lets you know that you are going on a ride like no other. What I think is most odd is the fact it is a rap song in a romantic horror Japanese game. It's very interesting, to say the least, but I think a lot of ATLUS' choices for Catherine could be described as such.