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  1. I. BASIC INFORMATION :: Game Title Serious Scramblers :: Genre Casual, Action, Arcade, 2D Vertical Platformer :: Developer Chinykian Games Website | Twitter | YouTube | Discord :: Platforms Mobile (iOS) PC (Windows/ MacOS) :: Availability Mobile (Free with In-App Purchases, Full): App Store PC (Paid, Full): Steam / GameJolt / Itch.io^ ^ Itch.io page will only be live on launch date. :: Release 14 November 2018 (iOS) 11 November 2019 (PC) :: Rating Everyone :: Trailer II. GAME PREVIEW Need a fun little game to keep your mind off things? Then, keep your eyes peeled as Serious Scramblers will be dropping into Steam this coming Monday! Previously released for iOS mobile devices, this fast-paced vertical platformer will soon greet PC players who would brave going down this enjoyable yet challenging rabbit hole. The gameplay itself is very simple: Scramble your way down a randomly generated series of steps, crushing as many enemies and collecting as many coins as you can along the way, until you safely reach the endpoint. There is no jumping involved, only falling, and you only ever need the left and right arrow keys (as well as your reflexes) to conquer all the levels. 27 regular levels are arranged in increasing difficulty, with the first level doubling as a mini tutorial and massive bosses making their appearances in levels 20 and 27. Naturally, you can unlock and progress to the next level only after clearing the preceding level. Players who are unfamiliar with vertical platformers would most likely find the learning curve in this game comfortable because new enemies or traps and their combinations are introduced rather slowly. Each level is also randomly generated while keeping that particular level’s difficulty, a technique that really keeps each attempt fresh and prevents pure memorization of moves for clearing the level. For arcade platformer experts who descended through all 27 levels, the game also features an endless mode to satisfy any player’s yearning for even more challenging action. There is a neat global leaderboard for competitive players to leave their victorious marks on as well. Another fun element of the game lies in its playable characters, which can be unlocked using the coins collected in-game. Current selection of thirteen characters includes a ninja, mummy, cute cat, and well, potato. However, they are not merely cosmetic additions; each character has unique abilities or modifiers that can tweak how a level may be approached. For instance, there are some that let you earn more coins per enemy crushed and there are others that enjoy speed boosts. These unique characteristics of each character, coupled with the randomly generated levels, help to boost the game’s replay value, making hours of fun possible. Last but not least, the catchy arcade music and the satisfying whump with each accurate landing on an enemy can really make the game difficult to be put away. The only levels I was able to complete so far are the easy ones, and even so, I have failed some levels plenty of times. Yet, I find myself willing to keep trying without feeling frustrated — mainly due to the fact that there is simply no rush and each attempt allows me to gather more coins as well. While I personally prefer to retry a failed level from its original starting point, the game does provide an alternative choice of spending in-game coins to continue from the last distance that the player has managed to reach. This additional choice could ease some players’ headaches as it essentially helps to break the single level into more manageable parts. Unlike the mobile version, the PC version allows players to select this option for an unlimited number of times so long as they have enough accumulated coins to spend. So, whether you are a casual player looking for a fun but challenging game or a hardcore platformer player looking for another leaderboard to top, Serious Scramblers would be a really nice choice. Ready to get serious and start scrambling? Wishlist the game on Steam now to be notified the moment it drops into the store!
  2. I. BASIC INFORMATION :: Game Title Hope; or How We Survived :: Genre Casual, Action :: Developer Sepia Cowboys Website | Twitter :: Platform PC (Windows) :: Availability Steam Paid, Full :: Release 2 November 2019 :: Content Fantasy Violence, Animated Blood, Mild Language :: Trailer II. GAME REVIEW Set in a zombie apocalypse world, Hope; or How We Survived is a narrative focused game that tells a short tale of surviving as humans amidst the continual threats and dilemmas to be faced. You play as a tower guard whose daily job is to protect Hope, an enclosed settlement for survivors, by fending off incoming zombie-infected creatures with firearms. The game depicts but a small slice of the tower guard’s life; the story begins on a day when an injured person came scrambling alone seeking aid. However, in order to ensure that they have truly not been infected, they are only allowed entrance into the settlement after seven days. In this one week, you are to carry your tower guard duty as usual, protecting this stranger as well as the residents within the settlement. For both visual and audio aspects, I would describe the game as going for a minimalist style: everything is kept simple and only necessary elements are provided. On the surface, it may look like such a style lacks appeal, yet considering the dreary zombie apocalypse setting, I think the choice to keep things to the bare minimum is a good call. In fact, the general silence and lack of sophisticated visuals actually made me focus more on what I actually do have — the dialogues, the changing weather, the injured person to protect, and the infected enemies to target. Still, while the choice to keep things minimal is rather fitting for the story, this style does not carry over too well when it comes to User Interface (UI) design. More specifically, I am referring to the “Controls” menu that squeezes text-only details about the basic gameplay controls onto a single screen. Unless one has already learned the controls beforehand or likes to find out by experimenting, one cannot escape from viewing this particular menu because there is no tutorial prompts provided in the main game itself. Granted, the instructions are kept concise and arranged neatly in bulleted points but I think it is the least satisfying part of the entire game’s visual design. Although there is no background music, the game appropriately uses sound effects (SFX) and short muffled voice clips to portray the various scenes. To my surprise, despite the very limited voice clips available (and I believe one of the clips is actually saying “Merry Christmas”), I do find them quite helpful in bringing out the intended tone in the dialogue lines. And while many may take SFX for granted, in games where the main audio you hear is simply SFX and no music, it becomes something that is pretty important. On that note, I appreciate the effort in adding a variety of SFX (e.g. blowing breeze) to make the auditory experience in this fictitious world resemble more like what would be expected in reality. Gameplay controls are streamlined as well, with the entire game playable using just the mouse (for dialogue selection, aiming, firing, and changing firearms) and one keyboard key (for reloading firearm). Number keys can optionally be used for selecting a different firearm but I personally preferred the mouse wheel. In terms of level design, care has been taken in ensuring that the shooting difficulty is increased reasonably over the first few days. The game introduces you to the available infected enemies slowly, starting from the walking zombies to flying pigeons to sprinting chickens. It also gradually adds difficulty by introducing visual noises via the weather, such as the addition of rain and lightning flashes. Even the three available firearms are introduced over time, allowing sufficient opportunities for you to try each one out as you get a new one. As all the targets are moving and you are stationed stationary at the tower top, it can take a while to learn and get used to shooting the enemies accurately. When I first played the game, I failed during the second enemy wave on Tuesday. But after two more tries, I got the hang of it and could get through the subsequent days in one go — that is, until Saturday. The penultimate day poses the most challenging level in the entire game with its mob of enemies that never seems to cease. Shooter games are not my forte and I probably have quite a delayed reaction time, so I personally took around 20-odd tries to finally clear that nightmarish never-ending wave of enemies. It left me, a casual player, with so much frustration that I do not have the desire to attempt that level ever again. Apart from the huge difficulty spike on Saturday, another thing that fueled my frustration is the inability to fast forward dialogues during retries. Generally, I like the dialogue system and enjoy the pace at which the conversation is set. But the chats become quite a hindrance when I wanted to retry the shooting bit only. While my experience with the action part of the game is somewhat marred by Saturday’s insane enemy mob, the narrative portion, as told through the verbal exchanges between the tower guard and the injured person, is still decent. We gain some insights about the backstory of the place as well as the characters themselves. However, what I like best in these casual chats is how naturally they pulled me in to care more about the injured person over time. There is a natural friendship bonding experienced within the short seven in-game days, so much so that I actually felt apprehensive about how the story will end once Sunday is reached. The game features multiple endings. I am unsure how many possible endings there are in total but I managed to get two different endings by changing my dialogue options on Sunday only, which brings me to the common weakness of similar games’ branching narrative: it is not as branching as it seems. Of course, games do not need to have extensively branched storylines in order to be fun. Still, it does undermine the game’s replay value somewhat if we can obtain all the possible endings just by tweaking the final day’s choices. All in all, the game features a short but rather heartwarming story (“faith in humanity restored” kind) that explores possible mental struggles that humans may face in such an apocalypse. Nevertheless, due to the lack of an option to adjust the difficulty level, casual players may find the shooting tasks adequately challenging and Saturday’s checkpoint rather impossible to clear. Thus, I would recommend this game to shooter game enthusiasts who are looking to read a short positive tale set in a zombie apocalypse. Sepia Cowboys’ debut game is currently on Steam with a launch week discount of 10%!
  3. CROGGS

    Afterfall - An RPG Maker Gem

    Game: Afterfall Developer: AllyJamy Release Date: October 15th 2019 Play the full game for free on itch.io! Genre: Action-Adventure RPG I've always loved story driven RPGs with unique game mechanics like Undertale, Oneshot and the to the moon series. When done well, games in this genre can concoct an immersive and exciting world, with fun challenges and puzzles along the way. RPG Maker games do have many games like this, but I usually find myself having to sift through piles of games that can be filled with boring grinding and generic surface level stories and characters. Because so many other people have the same experience, RPG Maker games usually get a bad wrap for being lazy and boring. As an RPG Maker game, it's hard to overcome this stereotype and get the attention of gamers, especially with the increasing amount of games competing for your attention online. It's because of this stereotype that I like to give RPG Maker games a fair shot, and i'm glad I gave this game a play, because it blew me away right from the start with how it sets itself apart from the average RPG Maker game. Although it's not perfect, it still does a pretty damn good job at immersing the player into the tumultuous and intriguing world of Afterfall. The 4 years of work that went into this game definitely show. The game begins with a little bit of exposition explaining how you ended up on this alien world and pictures showing off the game's unique artstyle. You, like myself, might think that the art style is a little off at first, looking amateurish and incomplete, but the artsyle grew on me, and I came to really like it as the game went on. It's very simplistic, but gets the point across. Faces which appear in dialogue boxes aren't proportional though and distract from the expression they were likely intended to have, even being comically off at times. The lack of depth and shading can also make some objects and structures in the game look unnatural, and take away from the atmosphere being attempted. Some of the bosses and sprites which suffer from this problem can also totally take away the intensity or seriousness of a situation. But these problems are relatively small, and become less and less prominent as the game goes on, with majority of the environments and moments in the game still retaining a good amount of the emotional and atmospheric weight they need to provide a fun experience. But even where the art falters sometimes, the music consistently pulled me back into the game, with ominous, intense, fun and atmospheric music in every part of the game. I have absolutely no complaints about the music; it does its job very well and never got old. The game has two main mechanics that it uses throughout the game: exploring, and fighting. Both mechanics work virtually identically to your average Legend of Zelda game. You gain abilities and items which allow you to access certain areas, and you can swing or shoot a weapon at enemies that appear in the overworld - no turn based battles here! One thing Afterfall does differently with its exploration from Zelda though, is with scavenging. Your character in the game is a scavenger, and this fact plays quite well into the gameplay, with most items being things I've scavenged from the diverse environments I explored throughout the game, with a few quests needing you to go scavenging for certain items. This is usually a pretty straight forward and rewarding mechanic, but when searching vehicles, you have to check every single tile to make sure you scavenged everything from it, and you have to wait a few seconds at each tile to check if there's anything there. On screens with several vehicles, this can become very tedious and lead me to skipping several potentially useful items out of boredom. Apart from that, the scavenging mechanics encourage exploration, which is rewarded with several secrets that reward you with currency or rare items, or interesting new character interactions, which have some of the most interesting and compelling dialogue and characters in the whole game. I also found the fighting mechanic really fun! It's easy to understand, with the game teaching you how to use it seamlessly. With an easily understandable hotbar and weapon specs, it's easy to start engaging in fights, but it's very hard yet rewarding to master, which becomes especially true during boss fights which test you with mechanics you've already fought against before. My only complaint is how small the hitboxes are for bosses with large sprites. As someone who used to use RPG Maker in the past, the problem is understandable, but still caused some frustration when I had to experiment with each boss to figure out exactly where to hit them. In general though, both game mechanics are well done and satisfying, with a clear sense of progression making it all the more rewarding. When I first began playing Afterfall, I was pretty overwhelmed by how big the world was, how many characters there were to keep track of, all the little quests to keep track of, and all the lore and information about the world I was given at the start. I couldn't keep track of everything in my head without writing a lot of stuff down, even though that much information was not needed to understand the basic gist of what was happening plot wise in the beginning. The beginning of the game lacks focus in this way, and it made the game quite confusing up until I completed the first dungeon and was the part I enjoyed the least, which is a shame because the rest of the game afterwards is a lot better, and does not have this problem, meaning that some players might quit without even experiencing the good parts. All the extra lore and intricacies of the world should be left towards the end or hidden in secret areas for people who already have a solid foundation of understanding of the world, since after revisiting the beginning of the game after completion, everything made a lot more sense. Simply put, at the beginning, there are too many names, places, groups and characters to remember right out of the gate. After the first dungeon though, the game has a focus on certain characters and groups, making it much easier to understand what is going on. The quirky, compelling and relatable characters in Afterfall is one of its biggest strengths, especially towards the latter half of the game. Every character has something to say or do, from the key players to characters you only ever interact with twice. Their dialogue can range from funny, to mysterious, to heart warming, and left me having to question the character's true intentions, only adding to how entertaining it is to talk to the characters. However, there is the rare typo, although, they aren't major typos, and can easily be skimmed over or ignored. The only thing lacking about the characters is in their designs. Some of the characters look almost the same, and are not very distinctive or representative of their personality, with only a few exceptions. But despite these draw backs, the game had me regularly looking forward to engaging in dialogue. With some of the game's narrative moments having me at the edge of my seat, waiting to see what would happen next. Now, I had a blast playing this game, and although it has several small problems already, the most notable problem I experienced in almost every screen of the game were bugs. By far the most common bug in the game is collision problems with the tiles. I can't even count how many times I walked through a wall or window tile. This is still a pretty small issue, just like everything else I've mentioned since nothing I've found breaks the game, with the most major issues regarding this being boss battles where the main character and the boss go right through what were probably supposed to be obstacles like there's nothing there. But, despite Afterfall's drawbacks, for a free game made mostly by one person, it still shines through its unique world and characters which will only grow more and more enjoyable as the game goes on. I would definitely say that it's worth a play. Tell me what you think about this unique and interesting RPG in the comments below! Thanks for reading!
  4. Hey Nintendo Switch players, are you enjoying the new Chasm update with its all new Arcade mode? Well, developer Bit Kid recently posted a little competition for players to get involved with. Here's the details: "Help us celebrate the new Arcade mode recently released on Nintendo Switch! We will be holding a high score contest for the October 23rd Daily Challenge on Nintendo Switch, giving you a chance to win the Grand Prize: a unique hand-crafted clay sculpture of the hero! The top 10 runner-ups will receive a Prize Pack with an exclusive t-shirt, printed instruction manual, stickers, magnet and more. See http://chasmgame.com/ArcadeContest for details on how to enter!" If you haven't picked up the game yet or just haven't played it in a while, Nintendo Switch, PS4/Vita, and Xbox One owners can enjoy update 1.070 which includes the brand new Arcade mode (Daily & Weekly Challenges are exclusive to Nintendo Switch players), optional Chiptune soundtrack, customizable controls, 6 new localization's (Spanish, French, Italian, German, Portuguese (BR), and Hungarian), over 80 new rooms, new background art, improved backtracking, new items and plenty more! The full list of changes can be found here. (Chasm Arcade Mode Update - https://bitkidgames.com/?p=3752) Chasm is an action-adventure game that takes place in the Guildean Kingdom. You play as a new recruit eager to become a knight—rumors have spread that a mine packed with precious resources to the kingdom has been shut down due to townsfolk gone missing. What supernatural creatures lurk in the depths of the mine? Do what you must to track down these people and become the knight you've always wanted to be in this thrilling Metroidvania. Chasm is available for download on all gaming platforms. So, if you fancy yourself a little challenge and you own a Nintendo Switch jump into the Daily Arcade Contest on October 23rd! Good luck, and have fun!
  5. Game: Devader Publisher: Falkenbrew Price: 12.49€ Steam Link Release Date: 2nd of Septemer 2019 Genre: Shooter, indie Devader is a game that I stumbled upon due to one of my streamer friends (thank you, Erik!) and was approached by the developer to try it out. I didn't know what to expect from it, but could see from the trailer that it was some sort of shooter in space. It is described as an "intense 90's style twin-stick shooter" and surely it does bring me back to those good old days as I play! When you start a playthrough you can choose between four difficulty levels, from beginner to insane god mode, and the goal is to keep your base alive during up to 100 waves. Now, I haven't reached the end of my first playthrough yet but according to the game description there are 19 possible endings. Which means that there is a decent amount of replayability! You can play with either keyboard + mouse or a controller, this review was done with an Xbox controller. The waves are not going to be happening one by one until the last one, but rather are set up in sets or rounds. Each round features a boss and afterwards you get to upgrade some skills before the next round, your difficulty settings decide on how many skills you get to upgrade and what kind of enemies you will face and how many waves. At the start you will also get to choose between some aid/weapons that will make it easier to protect your base. The game itself is really vibrant and colorful, with lots and lots of explosions all over the map. The map is pretty small, but you get surrounded by enemies all the friggin time so it doesn't really bother and you don't have the time to think about many things except how to kill as many enemies as quickly as possible... And avoid getting yourself killed. Because, dying is bad you know? The music and sound effects are great and really suits the game, pumping you up for the mass slaughter of your enemies! The game mechanics are easy to learn but difficult to master, which I think is great in any game! There is a story to the game, saving an ancient civilisation from the mysterious Krin... And between the rounds you get some more information about what is happening. It's not a very deep story, but still a nice touch! Did I enjoy playing this game? Hell yeah! It's not a very complex game, but neat! Was pleasantly surprised over how much fun I was having while shooting to the left and right. If you're into this type of games, I would recommend giving it a try. It is also a great game if you don't have the time to play something for several hours... Maybe you want to just stop thinking about work for 30 min? Or, maybe you just want something which is not very deep or complicated? I might add that I haven't encountered any bugs yet so the game feels very polished! Thank you for reading and a big thank you to Falkenbrew for letting me play the game! - Kyathil
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